She’s here! The Glimmer Girl

On Halloween 31/10/20, The Glimmer Girl crossed the threshold, claiming its place amongst the vast pantheon of spy-fiction . Published initially via Kindle https://www.amazon.co.uk/gp/product/B08BS1KYTQ/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i1

and now part of the outside world and everything in it. The words on the page, just like any other novel, are free to paint pictures in the mind of the reader.

In the Glimmer Girl’s case taking you to the earliest days of WW1 with Commander Smith-Cumming, the first chief (C) of the Secret Intelligence Service. To the early 1920s in London and Ireland as following an ominous order, C assembles Operation BARBELL as a means of atonement and revenge.

You’ll find yourself in the midst of a mid 70s deniable mission in the arid mountains of Libya, and to a London of the near future where you’ll meet GLIMMER herself, Siobhan Uhuru-Behan, as she undertakes her first MI6 mission with a reactivated Operation BARBELL, as she tracks the Eighth Day cult.

GLIMMER’s pursuit will take you from the Crystal light and waves of Cote d’Azure to the wilds of Iceland.

Can the long-mothballed BARBELL project a century in the planning really meet the threats of tomorrow?

GLIMMER has eight days to prove it.

Review: The Internecine Project

The Internecine Project. The rhythm of syllables in the three word title lets us know that we’re in for: An espionage thriller from the golden age of such outings.

Poster by Gary Mills garymillsfineart.com

It’s the ingredients that make this one special. Starting with the cast headed by that Icon of Cool, James Coburn, portraying a cold-hearted economics professor and former spy, who is also a partner in a powerful international corporation and has been offered a position as a close advisor to the US President.

In order to take the job Coburn plans a domino-effect elimination of a group of four individuals with knowledge of his espionage past. They’ve all served him as agents in the paid supply of intelligence.

Michael Jayston plays a scientist who in return for funding has provided weaponised chemicals and technology, Harry Andrews as a big-eared masseur reporting loose-lipped conversations held in an exclusive spa, Ian Hendry as a senior civil servant passing on UK Government secrets and Christiane Krügeras a high-class prostitute who hands over recordings and films of her clients. Outside of his targets Coburn has a perfect ‘gorgeous-in-your-50s’ pairing with the stunning Lee Grant as American journalist and old flame who has watched his immoral ascent to power.

Lee Grant

Almost a decade earlier James Coburn had two outings as spoofer-spy Derek Flint and his own iconic style and charisma inspired The Glimmer Girl’s St John Bradley. Michael Jayston would later add to his spy chops in the roles of both Peter Guillam in the TV adaption of Tinker Tailor Soldier Spy, Adam Hall’s Quiller and as a narrator of John Le Carre audio books. Harry Andrews also appeared in, amongst many much more notable outings, the spy movies The Mackintosh Man with Paul Newman and Modesty Blaise. Ian Hendry had an earlier key role in alongside Michael Caine in Get Carter, which shared another key ingredient of this film: the music of Roy Budd. Intrinsic to the spy movie formula, Budd lets-off big time with the free jazz score of percussion and double bass solos to ratchet up the tension in key scenes, most notably a confrontation in a shower.

James  Coburn
James Coburn (sans ‘tache)

Next the setting- London,1974 in and around Mayfair, seen largely by moonlight. The nearest we get to gadgets that qualify The Internecine Project as spy-fi are the sonic assassination weapon that Jayston supplies and Coburn’s opulent office with a back-lit map of London hidden behind a glass art screen. All in all it makes M’s gaff look like a corner of cardboard city.

As it was in the era, everyone who walks through Coburn’s door is served a stiff drink and he puffs on a cigar as his intrinsically planned hits are carried out across one night, signified by coded rings of various length on his red telephone.

One final part of the formula ticks the box for me. Obscurity. I was unaware of The Internecine Project until I stumbled upon it on a You Tube Channel whilst researching something else. My only criticism would be some of the sound production is muffled, particularly some of Lee Grant’s lines to James Coburn. They share an exchange toward the end of the movie which has proven largely prescient regarding non-elected aides close to power.

So if those almost perfectly prepared ingredients wet your spy-fi appetite search out and enjoy The Internecine Project.